| Greenland masks are known primarily in
an East Greenland context which can be described as a genuine mask culture.
Only a few examples of masks can be found in West Greenland and here the
artistic expression is totally different.
Not much is known about the role of masks
in traditional societies and not many masks exist prior to the turn of
the century. The reason may lie in the mask`s strong personal link with
its owner. Masks have often followed their owners to the grave or perhaps
been destroyed at death. Another theory is that the mask`s power was so
great that it had to be destroyed after use in a cult context.
East Greenland masks are often described
as dancing masks to be used in connection with different kinds of ceremo-
nies or lamp extinguishing games. Theatrical
masks were used for entertainment and house masks, which were smaller than
the others, represented a domestic spirit and protected the home and its
members.
Masks were often decorated, even if only
modestly in comparison with masks from Canada and Alaska. Usually lines
or skeleton ornamentation are carved into the wood. In more seldom cases,
bits of hide are present. Now and again teeth and pieces of hair and suchlike
are inset.
Line ornamentation is also known in tattooing
among the Inuit where it functions as a sort of official day calendar e.g.
a first birth, the boy`s first seal, etc.
The colour of the mask is usually black
and comes from lamp sod. On newer masks red an be seen. The simplest mask
is made by colouring the face black, cutting out a couple of lines and
putting a stick in the mouth, thereby changing the facial expression completely.
This mask tradition has been adopted to a great extent by contemporary
Greenlandic actors.
Another mask tradition is the mitaartut
mask which is traditionally made of skin.
This tradition still survives in Greenland.
At epiphany (6 January) both children and adults visit neighbouring houses
and demand whatever they want. This must be given although nowadays it
is limited to sweets, buns and loose change. The aim of the masks has nothing
to do with the world of spirits. They are just made to make the bearer
unrecognizable. The mask material or its decoration may be of all kinds
of second hand materials and ideas are plentiful.
After the introduction of Christianity,
the aim of the mask was reduced to frightening children when they needed
a bit of discipline. Later, it became a simple tourist souvenir. Where
the old masks could express both sexes in the one mask, masks are now produced
in pairs.
Masks, including Eskimo masks, have been
a source of inspiration throughout this century to the world`s artists
such as Matisse, Picasso and many others. The Danish painter, Eigil Jacobsen,
has also sought inspiration in native mask art.
Ole. G. Jensen
See
pictures of masks |